Selection Redo 1

Selection-Redo #1: HOLLIDAYS AT WORK

20-25 August 2016

Selection-Redo, is an artistic research that started in august 2016 and continues until it stops.  It is buildt through residencies inviting one or two artists each time to investigate concepts of mutual interest, choreographic tools and forms of fictionalization:


20-25 August.16

From a selection of books Rebecka Stillman & Sara Gebran where influenced by, they built a sequence of quotes, reading formats, and moving practices, shared with each other and sharedwith visitors daily between 17:00-19:00.

Everyday was developed in a new location, to be announced on Facebook eventt. For the outdoor locations we may ask you to bring warm cloth and we will bring the booze and a tent.

21/08: Amager Strand, 100 m from Helgoland

22/08: Dansehallerne, studio 3

23/08: Dansehallerne, studio 5

24/08: Refshaleøen, look for our half green tent, some where close to Amass (Refshalevej 153, 1432 Kbh) Ring for exact location: 23290139

25/08: Join us whenever throughout the day! We will be reading and spending time with our selection at:

11-14 Women section, bathhouse at Amager Helgoland

(14-15:30 Siesta/Lunch)

16-18 Botanical Garden

18.15-19.30 While paddling swan boats rented at Café Salon (50 kr/person)

19:30 Afterwork at cafe Sort Firkant (Blågåsplads)



About Rebecka:

Rebecka Stillman has been involved in many different choreographic projects in the past fifteen years. Sometimes as the instigator, sometimes as a collaborator and sometimes as a dancer. She received her education at the Royal Swedish Ballet School, SEAD (Salzburg), Södertörn University, Stockholm University and on the master programme in choreography at DOCH in Stockholm.

About Sara:

Head of Choreography Education, teacher and researcher at The Danish National School of Performing Arts from 2012-16 (DDSKS). Has been choreographing and performing in her own works and collaborating as performer or co-creator in the works of others, as well as teaching dance and choreography since 1994. Through the work at DDSKS she created a network of exchange and support between the local dance and visual art community and its institutions, aiming for other types of infrastructures of socio-economic and political support, towards new forms of artistic creations. Her current artistic research is centered around ‘common’ modes of doing, sharing and being